| jam | | SABU | 2018 | Nippon Cinema | 2019 |
| We Are Little Zombies | | Makoto NAGAHISA | 2019 | Nippon Cinema | 2019 |
| Tourism | | Daisuke MIYAZAKI | 2018 | Nippon Visions | 2019 |
| Aoi Swimming: We Are Lumpen | | Mikio SAITO | 2018 | Nippon Visions | 2019 |
| At Altitude | | Chiemi SHIMADA | 2019 | Nippon Visions | 2019 |
| Formal Warrior Suit Ranger | | Shinichiro UEDA | 2018 | Nippon Visions | 2019 |
| Jujuba | | Shun IKEZOE | 2018 | Nippon Visions | 2019 |
| The Monster And The Woman | | Akira IKEDA | 2018 | Nippon Visions | 2019 |
| Mountain | | Isamu HIRABAYASHI | 2017 | Nippon Visions | 2019 |
| Radwimps: Paparazzi | | Tetsuya NAGATO | 2018 | Nippon Visions | 2019 |
| Shosho ni mitsu | | J. K. WANG | 2017 | Nippon Visions | 2019 |
| Recurrence | | Julius Horsthuis | 2017 | Nippon Visions | 2019 |
| Antithesis | | Kachi CHAN | 2017 | Nippon Visions | 2019 |
| Poetry Of Banality | | Michael Basov | 2017 | Nippon Visions | 2019 |
| Wanderer | | Federico Casal | 2017 | Nippon Visions | 2019 |
| Life, Life | | Yaniv TOUATI | 2017 | Nippon Visions | 2019 |
| Ryuichi Sakamoto | ubi, async | Nagi 2 | | Takatoshi ARAI | 2017 | Nippon Visions | 2019 |
| LIFE LIFE | Ryuichi Sakamoto – async | | Chien An YUAN | 2017 | Nippon Visions | 2019 |
| A Mother In Tears Takes A Child On Her Lap | | Kentaro KISHI | 2017 | Nippon Visions | 2019 |
| A Dream Of Red Mansions: The Long Goodbye | | Wong Fei PANG | 2017 | Nippon Visions | 2019 |
