The Rickshaw Man

Nippon Cinema   ª 

Special Screening

Hiroshi INAGAKI’s 1943 film THE RICKSHAW MAN was only shown in a censored version during World War II. In 1958, INAGAKI won the Golden Lion at the Venice Film Festival for his remake. We present the restored 4K version of the original, accompanied by a short documentary on its historical significance.


Guests:
Eric NYARI

Thu., May 29 2025, 18:00

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Kino des DFF

Tickets

German premiere in presence of the producer Eric NYARI

Original with English subtitles

NOT approved for persons under 18 years (NC has not applied for age rating)

Classic Drama World War II




Hiroshi INAGAKI

The Rickshaw Man

無法松の一生

Japan at the beginning of the 20th century: The daring rickshaw driver Matsugoro takes young Toshio to the hospital and befriends his family. After Toshio’s father, an officer, passes away, Matsugoro looks after the boy. However, his love for Toshio’s mother Yoshiko remains unfulfilled.

無法松の一生
Muhomatsu no issho

Japan 1943

80 minutes

Director
Hiroshi INAGAKI

Script
Mansaku ITAMI based on a novel by Shunsaku IWASHITA

Cinematography
Kazuo MIYAGAWA




Ema RYAN YAMAZAKI 山崎エマ

Wheels Of Fate: The Story Of The Rickshaw Man

ウィール・オブ・フェイト~映画『無法松の一生』をめぐる数奇な運命~

Masahiro MIYAJIMA worked for cinematographer Kazuo MIYAGAWA, who shot THE RICKSHAW MAN in 1943. For many years, MIYAJIMA worked to preserve this humanistic masterpiece from wartime. Director Ema RYAN YAMAZAKI accompanied him and sheds light on the story of this nearly lost cinematic gem.

ウィール・オブ・フェイト~映画『無法松の一生』をめぐる数奇な運命~
Wiru obu feito ~ Eiga "Muhomatsu no issho" o meguru suki na unmei~

USA, Japan 2020

19 minutes

Director
Ema RYAN YAMAZAKI

Cinematography
Koichi FURUYA

Animations
Taku FURUKAWA

World sales
KADOKAWA

Voice acting
Lily Franky

About Ema RYAN YAMAZAKI
山崎エマ

Ema RYAN YAMAZAKI was born in Osaka to a British father and a Japanese mother in 1989. After graduating from New York University, she worked as an assistant for documentary filmmaker Sam POLLARD and began her career as a film editor. Her directorial debut was the feature-length documentary MONKEY BUSINESS: THE ADVENTURES OF CURIOUS GEORGE’S CREATORS (2017), which won the audience award at the Nantucket Film Festival. Her subsequent documentaries KOSHIEN: JAPAN’S FIELD OF DREAMS (2019 / NC ’21) and THE MAKING OF A JAPANESE (2023 / NC ’24) were screened at international film festivals.